PUBLICATIONS

Books

 

Slavic Rome: Early Modern Ruthenians in the Eternal City, Studies in Art, Art History, and Intellectual History, Leiden: De Gruyter Brill (under contract).

 

Book Chapters

 

“The Church of SS. Sergio e Bacco & the Ruthenian Community in Early Modern Rome” in Svitlana Potapenko et al. eds, In Search of Centers: Early Modern Kyivan Christianities, Volume in the Series Kulturen des Christentums. Neue Zugänge zur Frühen Neuzeit/Cultures of Christianity. New Approaches to Early Modern History. Leiden: De Gruyter Brill (forthcoming, 2025).

 

“Polonia Restituta: The Case of St. John Cantius Catholic Church in Chicago” in Bożena Shallcross, John Merchant and Adam Kola, eds., Artistic Expression and Polish Chicago (forthcoming, 2026).

 

“Madonna del Pascolo: Ruthenian Heritage in Baroque Rome and the Development of the National Church of Ukrainians” in Aleksander Łupienko and Dragan Damjanović, eds., Forging Architectural Tradition: National Narratives, Monument Preservation and Architectural Work in the Nineteenth Century (New York, Oxford: Berghahn, 2022): 314-334. (ISBN: 9781800733374)

 

“Chicago's Woodlawn Neighbourhood and the Role of Religious Institutions: The Case of St. Gelasius” in Kate Jordan and Ayla Lepine, eds., Modern Architecture and Religious Communities, 1850-1970. Building the Kingdom (London: Routledge, 2018): 198-212. (ISBN 9781138487116)

 

Articles

 

“A Princely Stage Engraved: Michał Żukowski’s Prints of Franziszka Urszula Radziwiłł’s Private Theater.” Print Quarterly (in progress).

 

“Armigerous Artists:  Papal Nobility & The Formation of Artistic Elites in Early Modern Rome & Beyond” (in progress).

 

“The Church of SS Sergio e Bacco and the Ruthenian Community in Early Modern Rome” in Ivan Almes, Svitlana Potapenko, Oksana Prokopyuk, Vitalii Tkachuk, Valerii Zema, Nadine Amsler, Andreea Badea, et al. In Search of Centres: Early Modern Kyivan Christianities. 1. Edition (Köln: Böhlau-Verlag, 2026): 1-28.

 

“Conca, Gasperi, and the Basilian Saints: Notes on the Items at the Exhibition on St. Josaphat at the Pontifical Gregorian University” in Vaiva Vasiliauskaitė, Rita Pauliukevičiūtė, Birutė Kabašinskienė, eds. Bishop, monk, saint. The figure of St. Joseph in the heritage of the Uniate Church (Vilnius: Bažnytinio paveldo muziejus, 2025): 310-321. ISBN: 978-609-8151-28-2.

 

“Conca, Gasperi ir bazilijonų šventieji: keletas pastabų apie šv. Juozapato parodos Popiežiškajame Grigaliaus universitete eksponatus” in Vaiva Vasiliauskaitė, Rita Pauliukevičiūtė, Birutė Kabašinskienė, eds. Vyskupas, vienuolis, šventasis. Šv. Juozapato figūra Unitų Bažnyčios pavelde (Vilnius: Bažnytinio paveldo muziejus, 2024): 302-311. ISBN 978-609-8151-28-2

 

“Note sull'Adorazione ei magi dalla chiesa di sant'Egidio a Quetta [Notes on The Adoration of The Magi from The Church of St. Giles in Quetta], in the volume edited by Stefano Zilia Bonamini Pepoli (forthcoming, 2026).

 

“Martyr et Pontifex: Formation of St. Josaphat Kuntsevych’s Iconography,” in Ivan Almes, Nataliia Fedyshyn, Salvijus Kulevičius (eds.), The Making and Remembering of Saint Josaphat Kuntsevych 17th–20th Century, special issue of Lietuvos istorijos studios, vol. 16 (Vilnius: Vilnius University Press, 2025): 169-183.

 

“Anatole: Traditional Catholic Undercurrents in the Children’s Books of Eve Titus,” St. Austin Review, July-August (2024): 23-24.

 

“Santa Maria Egiziaca: Armenian National Church in Early Modern Rome,” Series Byzantina, vol. XXI (2023): 67-74.

“Spanish Baroque Tabernacle in the Collection of the Binghamton University Art Museum” (2025).

 

“Valerio Poggi, The Barberini, & The Anonymity of Architecture,” in the conference proceedings, Circa vestimenta: i Teatini e l'architettura (Rome, Italy, 22-23 March 2022), Gaia Nuccio and Marco Capponi, eds. Special issue of Lexicon. Storie e Architettura in Sicilia e nel Mediterraneo (2025).

 

“Armigerous Artists: Formation of Modern Artistic Elites in Early Modern Europe” in International Congress of Genealogical and Heraldic Sciences Boston, Massachusetts), 2024: Genealogica & Heraldica XXXVI: Origins, Journeys, Destinations: Proceedings of the 36th International Congress of Genealogical and Heraldic Sciences, Boston September 24-28, 2024 (American Ancestors, 2025): 471-482.

 

“Valerio Poggi & The Barberini” in the conference proceedings, Circa vestimenta: i Teatini e l'architettura (Rome, Italy, 22-23 March 2022), Gaia Nuccio and Marco Capponi, eds. Regnum Dei. Collectanea Theatina 145 (2022): 115-120.

 

“Giovanni Gasparro, anticonformismo e l'aldività del barocco,” a catalogue essay for the exhibition, “Dal Tempo, l’Eterno. Viaggio tra l’uomo e il sublime in Giovanni Gasparro,” curated by Giuseppe Cassio and Paolo Cicchini, Palazzo Santacroce – Grand Hotel San Gemini, San Gemini (Terni), Italy, 13 Feb.-5 June 2022. 

 

“Ruthenians in Naples: Slavs, Slaves & Italian Port Cities in The Early Modern Period, 1450-1750,” in La Capraia – Year 1. Research Reports from the Center for the Art and Architectural History of Port Cities - 2018-2019, ed. Sarah Kozlowski, (Napoli: Centro per la Storia dell'Arte e dell'Architettura delle Città Portuali, 2019): 30-33.

 

“Master Prokopii’s Woodblock Prints of the Apocalypse at the Propaganda Fide,” Print Quarterly, XXXVII I (2020): 57-63.

 

“’Rito greco, lingua dalmatica’: Ruthenians in Early Modern Rome” in the proceedings of the conference “Visualizing Past in a Foreign Country: Schiavoni/Illyrian Confraternities and Colleges in Early Modern Italy in comparative perspective,” Faculty of Humanities and Social Sciences, University of Zagreb, 2017, Il Capitale Culturale, Studies on the Value of Cultural Heritage, Supplementi 07 (2018): 137-161.

 

“Mission in Style: Russian Orthodoxy and Church-building in Illinois” in the proceedings of The European Architectural History Network (EAHN) Biennial Thematic Conference, “Entangled Histories, Multiple Geographies,” 2015 (Belgrade: Faculty of Architecture, University of Belgrade, 2017): 98-102.

 

 “Spatial Sacrality and the Budgetary Wrecking Ball,” Sacred Architecture Journal, 28 (2015): 20-28.

 

Translations

From Italian to English:

 

Marini Dettina, Alfonso. Il Legittimo Esercizio del Gran Magistero del Sacro Militare Ordine Costantiniano di San Giorgio. Libreria editrice vaticana, 2003 (in progress).

 

From Russian to English:

 

Maria Zagitova, “Clad in Silver and Gems: The Art of Jewelry in Central Asia” in The Art Institute of Chicago and Madhuvanti Ghose, Vanishing Beauty: Asian Jewelry and Ritual Objects from the Barbara and David Kipper Collection (Chicago, Illinois: The Art Institute of Chicago, 2016): 125-137.

 

Book and Exhibition Reviews

 

Form and Fortification: The Art of Military Architecture in Renaissance Italy, by Morgan Ng. Sixteenth Century Journal (in progress).

 

The Deformation: Attention and Discernment in Catholic Reformation Art and Architecture, by Susanna Berger. Sixteenth Century Journal (in progress).

 

Icons In-between. Eastern Christian Art from Border Areas (Belarus, Ukraine, Romania, Western Balkans, Greece). Liliya Berezhnaya, in cooperation with Lutz Rickelt. Sixteenth Century Journal (forthcoming).

 

Barocco Globale. Il mondo a Roma nel secolo di Bernini, exhibition in Scuderie del Quirinale, Rome, April 4 to July 13, 2025, The Italian Art Society Newsletter (October 2025): 6-7.

 

History of Ukraine-Rus'. Vol. 6, by Mykhailo Hrushevsky, transl. by Andrij Kudla Wynnyckyj and ed. by Frank E Sysyn. East/West; Journal of Ukrainian Studies, Volume IX, no. 1 (2022): 249-252.

 

Ravenna in the Imagination of Renaissance Art, by Alexander Nagel and Giancarla Periti. Sixteenth Century Journal, LIII/3 (2022): 785-787.

 

Quid est sacramentum? Visual Representation of Sacred Mysteries in Early Modern Europe, 1400–1700, edited by Walter S. Melion, Elizabeth Carson Pastan, and Lee Palmer Wandel. Sixteenth Century Journal, LIII/1 (2022): 247-250.

 

“The Fall of Haman”: Rembrandt’s Picture in the Mirror of Time (in Russian), edited by Irina Sokolova, contribution by Victor Korobov. Print Quarterly, XXXVIII, 2 (2021): 193-195. 

 

Artes Apodemicae and Early Modern Travel Culture, 1550-1700, edited by Karl A. E. Enenkel and Jan L. de Jong.Sixteenth Century Journal, LIII/1 (2022): 242-244.

 

Odrodzenie i Reformacja w Polsce, vol. LXII (2018), published by Instytut Historii Polskeij Akademii Nauk, Warsaw. Sixteenth Century Journal, LII/2 (2021): 519-521.

 

Ambrogio Leone's 'De Nola', Venice 1514: Humanism and Antiquarian Culture in Renaissance Southern Italy, edited by Bianca de Divitiis, Fulvio Lenzo, and Lorenzo Miletti. Sixteenth Century Journal, LI/2 (2020): 541-543.

 

Maarten Van Heemskerck's Rome: Antiquity, Memory, and the Cult of Ruins, by Arthur J. DiFuria. Sixteenth Century Journal, LI/2 (2020): 546-548.

 

History of Ukraine-Rus'. Vol. 4, by Mykhailo Hrushevsky, transl. by Andrij Kudla Wynnyckyj and ed. by Frank E Sysyn. Sixteenth Century Journal, LI/3 (2020): 835-838.

 

Voci di riforma: Renovatio e concilio prima e dopo il Tridentino, by Eleanora Belligni. Sixteenth Century Journal LII/1(2021): 185-187.

 

The Rites Controversies in the Early Modern World, edited by Ines G. Županov and Pierre Antoine Fabre. Sixteenth Century Journal, LI/1 (2020): 221-223.

 

The Holy Name: Art of the Gesù: Bernini and His Age, by Linda Wolk-Simon; Bellarmine Museum of Art. Sixteenth Century Journal, L/2 (2019): 650-652.

 

Exiles in a Global City: The Irish and Early Modern Rome, 1609-1783, by Clare Carroll. Sixteenth Century Journal, XLIX/4 (2018): 1184-1186.

 

The Archaeology of the Jesuit Missions in Ethiopia (1557-1632), by Victor M Fernández, Jorge de Torres, Andreu Martínez d’Alòs-Moner, and Carlos Cañete. Sixteenth Century Journal, XLIX/3 (2018): 820-822.

 

Orphan Girl: A Transaction, or an Account of the Entire Life of an Orphan Girl by Way of Plaintful Threnodies in the Year 1685: the Aesop Episode, by Anna Stanisławska, translated by Barry Keane. Sixteenth Century Journal, XLIX/2 (2018): 497-499.

 

Crisis and Tragedy of the Continent: The Thirty Years War in the Events and in the Collective Memory of Europe [title is in Russian] by Yuri Ivonin and Liudmila Ivonina. Sixteenth Century Journal, XLVIII /2 (2017): 564-566.

 

Editorials

 

“Humility and Architectural Heritage,” an op-ed for Rorate Cæli, November 21, 2014, http://rorate-caeli.blogspot.com/2014/11/guest-op-ed-humility-and-architectural.html#more.

 

Editorial Experience

 

Series Byzantina                                                                                                                  Autumn 2018 - Present

Sub-Editor (since Spring 2019) and a Peer Reviewer for a journal of the Studies of the Byzantine and Post-Byzantine Art, based at the University of Ostrava, Czech Republic.

 

Copy Editor: Waldemar Deluga. Ukrainian Painting Between the Byzantine and Latin Traditions. Ostrava: Ostravska Universiteta; Warsaw: Polski Instytut Studiów nad Stuka Swiata, 2019.

 

Catalogues

 

Catalogue of Vintage Books, Galerie Gmurzynska, Zürich, 2026 (ca. 500-page catalogue of a private collection of early 20th-century rare books).

 

Russian Theater Artists, Galerie Gmurzynska, Zürich, 2026 (in progress).

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